电影 · 1979 · 法国 · 剧情
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series" significance.
电影 · 1991 · 法国 · 剧情
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country"s history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
电影 · 2001 · 法国 · 剧情
"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini"s book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors" Fortnight series." ~ Mark Deming, All Movie Guide "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a "register", a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
电影 · 1977 · 法国 · 剧情
影片主角是一个78岁的英国著名作家,他身患重病却仍然酗酒成性,口不择言。夜晚不时陷于噩梦的缠绕中,令他想入非非,一边琢磨着他最后一部作品的情节构思,一边回忆着他的往事。于是,噩梦、他的想象加上往事的回忆相互混淆在一起,共同构成了他作品的故事框架。 影片将文学创作的过程跟幻想、愤怒等融为一体,制造了一个精致的弗洛伊德哑谜。这是雷奈的第一部用英语拍摄的影片。剧本比较拗口罗嗦,有较重的文学味,影片被认为是雷奈的杰作,博加德的演出尤为精湛,但一般观众可能会觉得单调乏味。 Clive Langham (Sir John Gielgud) spends one tormenting night in his bed suffering from health problems and thinking up a story based on his relatives. He is a bitter man and he shows, through flashbacks, how spiteful, conniving and treacherous his family is. But is this how they really are or is it his own vindictive slant on things?
电影 · 1985 · 法国 · 剧情
剧情 一个法国少年和一个阿拉伯少年自幼便是街头的混混,他们缺乏家庭的温暖和社会的关注,以偷窃为乐,但当他们自认为最愚笨的同学摇身成为大富翁时,他们目瞪口呆,习惯了街头恶习的两人在辞工后不久,又陷入了爱情的困惑,最终都被警察带走,但他们对生活已经绝望,剩下的是两人间不变的友谊。 更多剧情>> 幕后花絮 本片属于波尔电影,也就是反映在法国的阿尔及利亚后裔人的电影作品。导演沙里夫是阿尔及利亚后裔,本片根据他的自传体小说改编,非常直白地将当时法国社会的阴暗现实反映出来。影片最后点出主题,渴望拆除种族的藩篱,超越肤色和种族和平友好地生活下去。整部电影的叙事手法平平,只是倒叙一段类似“戏中戏”处理得较有复古味道,不失讽刺韵味,人物的心理描写也细致准确,属于一部表现社会底层青年生活的社会写实作品。
电影 · 1974 · 法国 · 剧情
一部有关阴谋政变的豪华传记片,取材自1930年代法国的一个真实的故事。风流潇洒的主人公是一位法国籍俄国犹太人,他曾以诈骗罪被捕入狱,出来后改名换姓四处行骗,从事非法的投机活动,最终控制了全巴黎的新闻出版界、跑马场、政界以及豪华的社交场所。他还是个不折不扣的赌徒。最终丑闻败露,与之一起倒台的还有许多受牵连的政府官员。他在追捕中不得不自杀。而这一事件同时也暴露了法国政界的内幕和丑闻,加剧了内部派系的斗争,使得法国政府经历了一次严重的政治危机,差点就垮台了。 影片通过这样一个在上流社会靠行骗耍手段而飞黄腾达的骗子故事,来检视在那段经济不景气、人心彷徨的年代中人性的趋向和人的精神状况。中间还插入了苏联流亡人士托洛茨基来法国寻求庇护的内容,跟史塔维斯基组成鲜明的对比。编导目的在于暗喻法国政治取向的两种极端方向。桑德海姆的音乐恰到好处地配合了画面。
电影 · 1962 · 法国 · 剧情
黛海丝是个爱好文学艺术并希望得到别人肯定和关怀的女郎,她有稳定安逸的生活环境,别人都羡慕不已,但却没人了解她内心的孤独。结果她因为得不到关心而企图毒死丈夫,被控谋杀后却得到人们的同情。丈夫不愿家丑外扬,连同她的父亲恩威并施,终于让她无罪释放,但她却一路回想起自己的生活:结婚的盟约、婚后生活的无聊、父亲的私欲、丈夫的不解风情、倾慕的男孩远走高飞等情节后感到了无生趣。从此丈夫把她当作疯子,她则以烟酒浇愁,越发寂寞痛苦。 影片取材自法国著名作家、诺贝尔奖得主莫里亚克的文学名著,并由他亲自编剧,《广岛之恋》女主角希娃担纲主演,赢得威尼斯影展的最佳女主角。影片忠实还原了莫里亚克原著的精髓,那种透入心骨的寂寞和痛苦强烈地渗入观众的心灵,文学意味很重,偏重描写人物的内心感受和思想活动,夹杂有倒叙和回忆的表现手法,有当时法国电影左岸派崇尚的意识流痕迹。